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Portable, Affordable, and Amazingly Powerful StudioLive 16.0.2 USB: 16×2 Performance and Recording Digital Mixer
When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.
StudioLive 16.0.2 USB
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
You’ll never run out of signal processors.
StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.
StudioLive 16.0.2 USB
Superior sound.
Connect a StudioLive 16.0.2 USB mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.
What makes the StudioLive 16.0.2 USB mixer’s sound quality so good?
StudioLive 16.0.2 USB
Dedicated analog connections for predictable signal flow.
Take a look at back panel of a StudioLive 16.0.2 USB mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.
StudioLive 16.0.2 USB
Technical Specifications
Microphone Preamp |
|
|---|---|
| Type | XLR Female, Balanced |
| Frequency Response to Direct Output (at unity gain) | 20 Hz-20 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Output (at unity gain) | 20 Hz-20 kHz, ±0.5 dBu |
| Input Impedance (Balanced) | 1 kΩ |
| THD to Direct Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd |
| THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| EIN to Direct Output | +125 dB unwtd, +130 dB A-wtd |
| S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -102 dB |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -95 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | +65 dB |
| Gain Control Range (± 1 dB) | -16 dB to +67 dB |
| Maximum Input Level (unity gain) | +16 dBu |
| Phantom Power (± 2 VDC) | +48 VDC |
Line Inputs, Balanced |
|
|---|---|
| Type | ¼” TRS Female, balanced mono |
| Frequency Response to Direct Outputs (at unity gain) | 10 Hz-20 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Outputs (at unity gain) | 20 Hz-20 kHz, 0/-0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Direct Output (1 kHz at unity gain) | <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| THD to Main Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -105 dB |
| S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -95 dB |
| Gain Control Range (± 1 dB) | -20 dB to +20 dB |
| Maximum Input level (unity gain) | +22 dBu |
Line Inputs, Unbalanced |
|
|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +22 dBu |
Main Outputs |
|
|---|---|
| Type | XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair) |
| Rated Output Level | +24 dBu |
| Output Impedance | 100Ω |
Aux Outputs |
|
|---|---|
| Type | ¼” TRS Female, balanced (mono) |
| Rated Output Level | +18 dBu |
| Output Impedance | 100Ω |
Monitor Outputs |
|
|---|---|
| Type | ¼” TRS Female, balanced (stereo pair) |
| Rated Output Level z | +18 dBu |
| Output Impedance | 100Ω |
System Crosstalk |
|
|---|---|
| Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -90 dBu |
| Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -87 dBu |
Noise Gate (Expander) |
|
|---|---|
| Threshold Range | -84 dB to 0 dB |
| Attack Time | Adaptive (0.2 – 2.5 ms) |
| Release Time | 70 ms |
| Expander Attenuation Range | 2:1 |
Compressor |
|
|---|---|
| Threshold Range | -56 dB to 0 dB |
| Ratio | 1:1 to 14:1 |
| Response Time (Attack/Release | 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”) |
| Auto Attack and Release | Attack = 10 ms, Release = 150 ms |
| Curve Types | hard and soft knee |
EQ |
|
|---|---|
| Type | 2nd-order shelving filter (Q = 0.55) |
| Low (Low-pass or Bandpass) | 36 to 465 Hz, ±15 dB |
| Mid | 260 Hz to 3.5 kHz, ±15 dB |
| High (High-pass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB |
Digital Audio |
|
|---|---|
| Host Interface | USB 2.0 |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 44.1, 48 kHz |
| A/D/A Bit Depth | 24 bits |
| Reference Level for 0 dBFS | +18 dBu |
Clock |
|
|---|---|
| Jitter | <20 ps rms (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in ≈ 1 ps out) |
Power |
|
|---|---|
| Connector | IEC |
| Input-Voltage Range | 100 to 240 VAC (factory-configured for country of destination) |
| Power Requirements (continuous) | 100W |
Physical |
|
|---|---|
| Length | 15.56 inches (397 mm) |
| Width | 16 inches (406 mm) |
| Maximum Height | 5.5 inches (140 mm) |
| Weight | 20 lbs. |
StudioLive 16.0.2 USB
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