Kurzweil PC4 Vs Yahama Montage 8
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Choosing The Best Keyboard: Kurzweil PC4 VS Yamaha Montage 8
The burden of getting the right sound equipment especially keyboards can be really overwhelming and this is due to the fact that there is an ocean of products options in the sound market, today we would be focusing on two prominent brands and we would be giving you all the pros and cons of these brands so you can make a right choice.
Make no mistake, these two products Kurzweil PC4 and the Yamaha Montage 8 are very good products with great features but then, one is very, very good with much more upgraded features that opens the door of creativity to the user and allow you to explore and unleash your creations and skills.
Kurzweil PC4 Vs Yahama Montage 8 | Kurzweil Keyboards Prices in Nigeria
Features of Yahama Montage 8
- 88 Keys Fully weighted
- 7″ TFT Color Wide VGA LCD Touch Screen
- Gives you 5 bands master EQ without compressor
- Over 100 Effects
- Live set Preset 128 and More
- 2048 User Programme
- 16 Independent track sequencer
- Over 128 Songs
- Master Volume, AD Input Gain Knob, Pitch bend wheel, modulation wheel, Ribbon Controller, 8 Sliders, 8 Knobs, Data Dial
- Memory of 2GB
The Kurzweil PC4 is an extremely powerful workstation that has taken a big leap forward from its previous generation.
Overall, the Kurzweil PC4 is definitely a step up from the previous models from Kurzweil. If you’re in the market for a workstation, this definitely ranks in there with the FA 08, the Montage 8 and the Kronos. The synth engine is extremely powerful and I think the main downside is the storage. It’s hard to top beat controllers as the workstations often can’t pack the same amount of storage. The Kurzweil PC4 will be a workstation that battles with the top brands for the next couple of years, in my opinion. The Yahama Montage 8 has nowhere near the sound editing capabilities. Much more basic programming. Kurzweil PC4 is equipped with a Ribbon Controller input. You can buy a dedicated Ribbon Controller just like it was for PC3 etc. Apart from the advantages of Synthesis, it is one of the best equipped and best controllers on the market for me (like every Kurzweil PCx).
It comes in with 1000 inbuilt programs with our 4096 user programs, featuring up to 16 independent zones, and can sequence 16 tracks both event and track base. The Kurzweil PC4 has an all-new 6 – operator FM engine with the ability to import FM SysEx files and more. The VAST synth engine is also the staple for Kurzweil’s and I have to agree, there’s an infinite amount that you can do with it in terms of sound design. Kurzweil PC4 has over 88 Keys fully weighted, with high pixel high-resolution color LCD with adjustable brightness. PC4 also gives you master EQ/Compressor with over 1000 complex effect chains.
The initial Kurzweil PC4 is being advertised as 88 fully-weighted hammer-action keys, however, it is expected to also be available in 76 and 61 keys.
Features of Kurzweil PC4
- It has over 88 Keys fully-weighted
- Has over 480X272 Pixel high-resolution color LCD with adjustable brightness
- PC4 also gives you master EQ/Compressor
- Over 1000 complex effect chains
- Over 1000 Inbuilt programs
- 4096 User Programs
- Featuring up to 16 independent zones
- Comes with 1 pitch wheel, 1 modulation wheel, 9 front panel sliders, 9 knobs, 2 transpose switches
- can sequence 16 tracks both event track and track base
- has midi in/out
- Can sample flash memory of 2GB of reloadable
Kurzweil PC4 VS The Yahama Montage 8
Below is a table comparing the specifications of Kurzweil PC 4 and Yahama Montage 8
Specifications of Kurzweil PC 4
All specifications subject to change without notice.
| Keyboard: |
RPHA: Real Piano Hammer Action / 88-note, fully-weighted hammer-action with velocity and aftertouch sensitive adjustable keys
|
| Display: | 480 x 272 pixel high resolution color LCD with adjustable brightness |
| Polyphony: | 256 Voice Polyphony, dynamically allocated |
| Multitimbral: | 16 parts (one per MIDI channel) |
| Architecture: | Dynamic VAST: Powerful synthesis engine, with user programmable DSP algs and routing. More DSP power than even our K Series instruments. 6-Operator FM Engine VA1 Inside: anti-aliasing, power-shaped oscillators and DSP processing from Kurzweil’s VA1 concept synth, capable of delivering authentic analog emulations as well as incredibly complex new sounds. Cascade Mode: lets the user route one layer through the DSP of any other layer within a program – up to 32 consecutive layers deep! |
| Sample Flash Memory: | 2 GB of re-loadable, non-volatile, user flash memory |
| Factory Programs: | 1000+ |
| User Programs: | 4096 |
| Factory Multis: | 50+ – featuring up to 16 independent zones |
| User Multis: | 4096 |
| General MIDI: | No |
| Kurzweil String Resonance: | Yes |
| Master EQ/Compressor: | Yes |
| Effects: | Over 1000 complex effect chains, incorporated into programs featuring our award winning effects – reverbs, delays, chorus, flange, phaser, EQs, distortions, rotary speaker simulators, compressors, and more 32 total FX units |
| Controllers: | 1 pitch wheel 1 modulation wheel 9 front panel sliders 9 Knobs 9 switches (assignable/zone mutes/KB3 control) 1 variation switch Tempo Controls w/ tap tempo 2 transpose switches Arp Controls Transport Controls *2 switch pedal inputs each supporting single switch pedal or single half damper pedal (1 switch/sustain pedal is included; half-damper pedals sold separately) 2 continuous control pedal inputs monopressure (aftertouch) Ribbon input (ribbon controller sold separately) |
| Sequencer: | 16 Tracks; 960 PPQ resolution. Song editing functions include both event and track-based tools like quantize, swing, remap, controller scaling and more. |
| MIDI CC Step Sequencers: | 16 simultaneous |
| RIFFs: | 16-per Multi |
| Arpeggiators: | 1-per Program, 16-per Multi |
| Analog Outputs: | Four (2 pairs) 1/4″ balanced TRS analog (32-bit DACs) Automatic mono switching on main outs +21dBu maximum output 50Ω balanced source impedance |
| Audio Inputs: | Two 1/4″ inputs One stereo 1/8″ input (each with FX) for connecting your favorite MP3 player or other audio source for accompaniment playback |
| Headphones: | 1 back panel 1/4″ headphone output 130mW into 32 ohm headphones |
| MIDI: | In, Out |
| USB: | Two USB ports (one A port / one B port) Complete MIDI functionality over USB User program/multi file backup via USB drive Operating System updates via USB drive |
| Software Editors: | External editors for Mac OS X, Windows PC and iOS devices |
| FREE OS Updates: | OS updates via USB drive |
| Included Accessories: | Power cable, Switch pedal, USB cable |
| Height: | 6.5″ (16.51 cm) |
| Depth: | 14.75″ (37.46 cm) |
| Length: | 51.25″ (130.18 cm) |
| Weight: | 28.7 lb (13.01 kg) |
| Power: | External 15VDC 2.5A Power Supply |
Specifications of Yahama Montage 8
|
MONTAGE8 |
|||
|---|---|---|---|
| Dimensions | Width | 1,450mm (57-1/16″) | |
| Height | 170mm (6-11/16″) | ||
| Depth | 460mm (18-1/8″) | ||
| Weight | Weight | 29 kg (63 lbs., 15 oz.) | |
| Keyboard | Number of Keys | 88 | |
| Type | Balanced Hammer Effect Keyboard | ||
| Initial Touch | Yes | ||
| Aftertouch | Yes | ||
| Tone Generator | Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms | ||
| Maximum Polyphony | AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) | ||
| Multi Timbral Capacity | 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part | ||
| Wave | Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB | ||
| Performance | 2,707 | ||
| Filter | 18 types | ||
| Effects | Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) | ||
| Controllers | Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial | ||
| Display | 7″ TFT Color Wide VGA LCD touch screen | ||
| Connectors | [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) | ||
| Power Consumption | 27 W | ||
| Accessories | AC Power cord, Owner’s Manual, Cubase AI Download Information | ||
| Live Sets | Preset: 128 and more, User: 2,048 | ||
| Tracks | 16 Sequence tracks, Tempo track, Scene track | ||
| Recording type | Real time replace, Real time overdub, Real time punch in/out | ||
| Note Capacity | 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) | ||
| Note Resolution | 480 ppq (parts per quarter note) | ||
| Tempo (BPM) | 5 – 300 | ||
| Arpeggio | Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types | ||
| Sequence formats | MONTAGE original format, SMF formats 0, 1 | ||
| Patterns | 128 patterns | ||
| Pattern tracks | 16 Sequence tracks | ||
| Pattern Recording type | Real time replace, Real time overdub | ||
| Songs | 128 songs | ||
| Song tracks | 16 Sequence tracks, Tempo track, Scene track | ||
| Song recording type | Real time replace, Real time overdub, Real time punch in/out | ||
| USB audio interface | [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) | ||
