Jackson’s JS Series Concert™ Bass models rock seismic sound, style and affordability.
The five-string Concert Bass JS3VQ is a 35”-scale model featuring a lightweight and resonant poplar body with an elegant quilt maple top, fully bound bolt-on maple neck with graphite reinforcement and scarf joint, and a 12”-16” compound radius amaranth fingerboard with 24 jumbo frets and classic sharkfin inlays.
Dual Jackson high-output humbucking bass pickups power a monstrous low-end growl, while a HiMass™ bridge provides rock-solid stability. The JS3VQ is also equipped with an active 3-band EQ and a pair of volume control knobs to refine and tweak tone.
A thunderous bass loaded with vibe and value, the JS3VQ is available in a striking Cherry Burst, Transparent Black Burst or Transparent Red Burst finish with black hardware and a Jackson pointed 5-in-line headstock
JACKSON HIGH-OUTPUT BASS HUMBUCKING PICKUPS
Painstaking voiced and full of fat, punchy tones, the Jackson high-output bass humbucking pickups give you plenty of low-end punch without too much top-end sizzle.
HIGHLIGHTS & SPECS |
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BODY |
BODY MATERIAL
Poplar
BODY FINISH
Gloss
BODY SHAPE
Concert™ Bass
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ELECTRONICS |
BRIDGE PICKUPJackson® Covered High-Output Humbucking
NECK PICKUP
Jackson® Covered High-Output Humbucking
CONTROLS
Volume (Neck Pickup), Volume (Bridge Pickup), Active 3-Band EQ (Bass, Middle, Treble)
SWITCHING
None
* CONFIGURATION
HH
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HARDWARE |
BRIDGEJackson® HiMass™
HARDWARE FINISH
Black
TUNING MACHINES
Jackson® Sealed Die-Cast
CONTROL KNOBS
Dome-Style
NECK PLATE
Jackson®
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NECK |
NECK MATERIAL
Maple
NECK BINDING
White
NECK FINISH
Satin
SCALE LENGTH
35″ (889 mm)
FINGERBOARD MATERIAL
Amaranth
FINGERBOARD RADIUS
12″-16″ Compound Radius (304.8 mm to 406.4 mm)
NUMBER OF FRETS
24
FRET SIZE
Jumbo
NUT MATERIAL
Black Plastic
NUT WIDTH
1.75″ (44.45 mm)
POSITION INLAYS
Pearloid Sharkfin
TRUSS ROD
Dual-Action
TRUSS ROD NUT
Truss Rod Adjustment at Nut
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MISCELLANEOUS |
STRINGS
Nickel Plated Steel (.045-.130 Gauges)
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12″-16″ COMPOUND RADIUS FINGERBOARD
Jackson pioneered the use of the innovative 12″-16″ compound radius design, in which the fingerboard gradually flattens toward the heel from its more rounded profile at the nut. This makes for comfortable and natural-feeling chording and riffing near the nut, with optimal shred articulation and bending nearer the heel.
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